1/27/2024 0 Comments Frantisek kupka la coloree 1919A member of both the circle of Pablo Picasso, and Cubists associated with the Section d’Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d’Automne (1911-1912). She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting.ĭisciple of Henri Matisse, during the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. At 18, she studied porcelain painting in Sèvres. She was born in Paris, where she was raised by her mother and lived much of her life. Marie Laurencin (Octo– June 8, 1956) was a French painter, poet and printmaker. Laurencin photographed by Carl van Vechten, 1949 Robert continued painting while Sonia delved into other media, including fashion, interior and textile design, all within the realm of Orphism. They may not have always called their work Orphic, but the aesthetics and theories were the same. The Orphic metaphor thus represented the artist’s power to create new structures and color harmonies, in an innovative creative process that combined to form a sensuous experience.Įven after 1913, when Apollinaire had separated from the Delaunays and Orphism had lost its novelty as a new art form, the Delaunays continued painting in their personal shared style. Though not fully articulated in his poems, the voice of light is identified as a line that could be colored and become a painting. The voice of light that Apollinaire mentioned in his poems was a metaphor for inner experiences. For both Apollinaire and the Symbolists who preceded him, Orpheus was associated with mysticism, something that would inspire artistic endeavors. Apollinaire had written a collection of quatrains in 1907 entitled Bestiaire ou cortège d’Orphée (Paris, 1911), within which Orpheus was symbolized as a poet and artist. The Symbolists had used the word orphique in relation to the Greek myth of Orpheus, who they perceived as the ideal artist. This movement, perceived as key in the transition from Cubism to Abstract art, was pioneered by František Kupka, Robert Delaunay and Sonia Delaunay, who relaunched the use of color during the monochromatic phase of Cubism.The meaning of the term Orphism was elusive when it first appeared and remains to some extent vague. During his lecture at the Section d’Or exhibit Apollinaire presented three of Kupka’s abstract works as perfect examples of pure painting, as anti-figurative as music. Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire at the Salon de la Section d’Or in 1912, referring to the works of František Kupka. Study for Around a Point, František Kupka
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